When a museum needs to extend its footprint there are a great deal of decisions which are critical to the success of the project. We are not personal fans of the ‘pastiche’ style extension, preferring a piece of modern architecture which is sensitive to the original building. So for our first post from our recent trip to Amsterdam, we are looking at the fantastic extension to the Stedelijk museum.

Built in 1895, the Stedelijk forms part of the green and open museum quarter, sitting alongside the soon to be open, newly updated Rijksmuseum and the Van Gogh museum, which is also currently undergoing large renovations.
Housing an extremely comprehensive collection of contemporary art and design, the Stedelijk was in dire need of a new extension, which doubled the size of the museum and was completed in 2012.
Whilst the new extension raised a few eyebrows, with some people likening it to the underside of a bathtub, the internal space is quite stunning.

We were very taken with the quality of the space inside the extension, but were particularly taken with the connection details between the original 1895 building and the new, white and glass extension.

The external detail around the top of the extension allows a lovely ‘breathing space’ between the roof detail of the original building, with a glimpse of sky reinforcing the gap.

Inside, looking upward, there is a flexible rubber edged glazed detail which runs around the junction between both buildings – acting as both a metaphorical and practical ‘cushion’. The separation is sensitive and the rubber allows the buildings to move independently from one another.

This sensitivity extends into the internal refurbishments where both spaces flow beautifully with no visual jarring. They feel as one.
Even though the external appearance of the new section of the Stedelijk might not be to everyone’s taste, we think this extension is a wonderful example of how extensions should be done. With delicacy, sensitivity and with respect for the original building.
(images by claire potter design)